After David Sanborn recorded his one-off
acoustic jazz album with pianist Bob James for Okeh Records in 2013, the label
continued the conversation with the renowned alto saxophonist. That exchange
led to Sanborn—deemed the most influential crossover artist of his generation
and the most commercially successful saxman since his 1975 debut—to link up with
his old collaborative friend, bassist Marcus Miller, to serve as producer in
creating the jazz-meets-R and B recording, “Time and the River,” Sanborn’s 25th
as a leader. “Marcus can cover all the bases—as arranger, composer,
instrumentalist, producer—and since we have a lot of history together, working
together was like shorthand,” Sanborn says of the project.
Writing
about Mary Stallings, The New York
Times declared that “perhaps the best jazz singer singing today is a woman
almost everybody seems to have missed.” Bay Area jazz lovers chuckled ruefully
over yet another blast of East Coast parochialism, long recognizing Ms.
Stallings as a singular jazz treasure. Her
talents were also recognized by the likes of Dizzy Gillespie, Billy Eckstine,
Count Basie, Cal Tjader, Ben Webster and Wes Montgomery, who all went out of
their way to showcase this supremely soulful singer. For her latest CD, “Feelin’
Good,” Bruce Barth occupies the piano bench and handles the arranging duties
with Peter Washington and Kenny Washington rounding out the rhythm section.
Mary herself requested the added tone color of Steve Nelson’s vibes, Freddie
Hendrix’s trumpet and the Latin percussion of the irrepressible Ray Mantilla.
Also this
week, pianist Harold Mabern, who has
enjoyed a reputation among vocalists as one of the music’s most sensitive and
stimulating accompanists for more than 50 years, features special guests
Gregory Porter, Norah Jones, Kurt Elling, and Jane Monheit on his new CD, “Afro
Blue”; keyboardist Jason Miles and
trumpet great Ingrid Jensen
collaborate on a project inspired by Miles Davis’ Cellar Door sessions with “Kind
of New”; and Canadian drummer Curtis
Nowosad is joined by reedman Jimmy Greene and trumpeter Derrick Gardner on
a new quintet recording, “Dialectics.”
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