Big John
Patton was a staple of the Blue Note Records roster during the heyday of soul
jazz in the 1960s. The link between the bluesy hard bop of Jimmy Smith and the
modal free-jazz explorations of Larry Young, Patton had a style that was funky and
raw, emotional and honest and thrillingly visceral. In addition to being a
respected and in-demand sideman, the keyboardist also made a name for himself
as a bandleader and composer, defining the sound of acid jazz for decades to
come. Jim Alfredson’s playing and
writing for the trio Organissimo has been heavily influenced by Patton. His new
project, “A Tribute to Big John Patton,” is his way of honoring the man and his
music. The band he’s put together, Jim Alfredson’s Dirty Fingers, includes
drummer Randy Gelispie, who performed many times with Patton as well as Jack
McDuff, Don Patterson and Larry Young.
Never
before has there been a vocal recording tipping the hat to the divine Ms.
Eartha Kitt and her fiery, sensual and clever interpretations of songs. With her
incredible range of vocal ability, her powerful emotional resonance and strong
independent streak, Rene Marie is
the right artist to conceive of this historic project. “I Wanna Be Evil: With
Love to Eartha Kitt” burnishes Rene’s reputation as the most provocative
risk-taker among today’s jazz divas. It features star turns by trombonist
Wycliffe Gordon, trumpeter Etienne Charles and Australia’s Adrian Cunningham on
saxophone, clarinet and flute.
Also this
week, pianist and singer Ariel Pocock,
who has performed numerous times over the past few years in The Corridor,
unveils her debut recording, “Touchstone,” featuring Eric Harland on drums,
Julian Lage on guitar and Larry Grenadier on bass; young guitar slinger Jake Hertzog, whom Guitar Player
magazine calls a “blazing wunderkind,” offers up his four disc as a leader, “Throwback”;
and pianist Mike Jones is joined by the
great Jeff Hamilton on drums on “Plays Well With Others.”
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