‘Full
bodied and comforting as home-baked apple pie’ is one apt description of Houston Person’s saxophone sound. It
has also been compared to ‘mom’s meatloaf.’ Inasmuch as these similes attempt
to convey the warm-hearted and effortlessly accomplished nature of the South
Carolina-born tenorman’s art, they are spot-on, but it must be remembered that Person’s
roots are in organ-centered RnB. This brings a bluesy integrity resulting
from his immersion in music forever connected with Gen Ammons, Stanley
Turrentine and others, to which Person has added a burnished sophistication, an
assured elegance and poise that have rendered his recent discography an object
lesson in unfussy, no-gimmicks music-making. Person also possesses an ability
to imbue up-tempo material with an irresistible wailing intensity. All these
traits are on full display on his new disc, “Nice ‘n’ Easy.”
Though rooted
firmly in the tradition of big band jazz, Dave
Slonaker’s Los Angeles-based Big Band looks toward the future of large
ensemble jazz on “Intrada,” a set of dynamic modern original compositions and arrangements.
The band features an all-star cast of jazz and studio greats including Peter
Erskine, Wayne Bergeron, Clay Jenkins, Bob Shepard and Bill Reichenbach. An
arranger and orchestrator for many Hollywood composers, Slonaker has credits on
dozens of films and TV shows, and his works have been performed by the Count
Basie, Clark Terry, and Woody Herman Bands.
Also this
week, drummer Chris Parker, a
Chicago native who includes work with Miles Davis, the Brecker Brothers and Freddie
Hubbard on his resume, unveils a new recording, “The Chris Parker Trio”;
trombonist Wycliffe Gordon, who just
completed a residency in Eastern Iowa, offers up “The Intimate Ellington:
Ballads and Blues”; and the proto-retro crucible of cool, Chaise Lounge, reminiscent of the glory days of the L.A. studio
cats of the ‘60s, releases “Dot Dot Dot.”
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